ISSUE NUMBER ELEVEN - SPRING 2010

Selected Poems

AMY, WANTING A NEW SONG, IMAGINES
Liz Robbins

THE MARRIAGE PROPOSAL
Laurie Blauner

CHOREOGRAPHY OF A TRANCE
John Goode

ONE DAY SUSAN
Francine Witte

ENCOUNTER
Paul B. Roth

CACHEXIA
Paul B. Roth

PREPARED PIANO
Joel Allegretti

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ISSUE NUMBER FOUR

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ISSUE NUMBER FIVE

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ISSUE NUMBER SIX

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ISSUE NUMBER SEVEN

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ISSUE NUMBER EIGHT

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ISSUE NUMBER NINE

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ISSUE NUMBER TEN

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ISSUE NUMBER ELEVEN

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ISSUE NUMBER TWELVE

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ISSUE NUMBER THIRTEEN

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PREPARED PIANO DE- AND RECONSTRUCTED

The strings of the prepared piano pondered the possibilities. The strings of the piano gave the prepared instrument neither lion nor eagle, but space. The dome wrote for percussion piano. We see the piano gryphon embedded in every angle of the absence of Buckminster Fuller’s initials.

The ancients conceived an ensemble with bolts, rubber stops and screws.

Commissioned to compose, the room had the letters J-O-H-N-C-A-G-E to replicate available percussion sounds.

He, John Cage, devised the name of Albert Einstein in the late 1930s when he was neither percussion nor wholly the world. In E=MC² vibrates a piano, a creature part-lion and part-performance area, creating an instrument that was too small to accommodate music for a geodesic dance piece.

Joel Allegretti